Marilynn B.
Skinner, Sexuality in Greek and Roman Culture: Ancient Cultures Series.
Oxford: Blackwell, 2004. Pp. xxvi + 343, incl. 33 black-and- white
illustrations and 4 maps. ISBN 0-631-23234-6. UK£16.99.
Susan Haskins,
Classics, University of KwaZulu-Natal, Durban.
In this book
Skinner attempts to reconcile her own earlier ideas with those of Foucault,
Winkler, Halperin, and Richlin.[[1]] At the same time she tries to undo the
work of some of these earlier authors who, on the one hand, have conflated
ancient Greek and Roman cultures and drawn over-generalised conclusions, or
who, on the other, have focused on a small area that has not lent itself at all
to generalisation. The result is the first attempt to give a complete overview
of ancient sexuality.
In the
introduction, 'Why Ancient Sexuality? Issues and Approaches' (pp. 1-20),
Skinner starts with an overview of theoretical approaches which have made
sexuality such a contentious topic. She chooses to use the constructionist
approach made popular on this subject by K. J. Dover[[2]] and Foucault as
opposed to an essentialist approach.
In the rest of the
book, Skinner limits (or perhaps more accurately expands) her project to seven
periods of antiquity, tracing the early history of the construction of
sexuality from Aphrodite and Eros, through the pederastic notions of the Greek
elite and then the change from state to individual in the Hellenistic period
and the anxiety of the Roman period. Her argument for viewing the sexuality of
each of these different time periods as unique and separate entities, with
different and distinctive constructions of sexuality, not to be conflated, is
persuasive. Through each time period she traces the changes in the construction
of such ancient societal constants as male and female homoerotic relations and
marriage. Unlike her earlier work,[[1]] she uses not only literary evidence but
also archaeological evidence, ranging from pottery to philosophy, love poetry,
theatre, and many other texts. However, she usually chooses one type of
evidence per chapter and bases her conclusions mainly on that evidence.
Considering the amount of evidence and the large time frame she is working
within, this is perhaps a logical approach.
In Chapter 1, 'The
Homeric Age: Epic Sexuality' (pp. 21-44), she discusses sexuality as it is
depicted in the oral tradition of Homer and Hesiod's works, particularly the
emphasis on Aphrodite and Eros as the personification and image of love. She
also mentions the discussion centred on the sexuality of Achilles. Skinner
believes there was no direct evidence in the Homeric texts to suggest that
Achilles was homosexual and that instead, the Greeks of the Archaic Age chose to
interpret his relationship with Patroklos as homosexual because of their own
pederastic culture. This culture is introduced in Chapter 2, 'The Archaic Age:
Symposium and Initiation' (pp. 45-78). Through love elegy, Skinner examines the
sexuality of the Greek elite, and the boy-love that formed such an integral
part of the symposium.
In Chapter 3, 'Late
Archaic Athens: More than Meets the Eye' (pp. 79-111), and Chapter 4,
'Classical Athens: The Politics of Sex' (pp. 112-47), Skinner tries to avoid
the criticisms that have been levelled against other authors who have taken the
evidence of Athens and generalised their conclusions to apply to all of Greece,
by stating in her chapter titles that she is only investigating Athens.
However, she also includes evidence from Sparta and she has a tendency, in
spite of her titles, to use this evidence from Sparta and Athens as the
evidence for all of Greece. In these chapters Skinner introduces the sexuality
of the polis and the solid citizen, as opposed to that of the elite, through
images from pottery and drama.
Skinner then turns
the attention of two of her chapters onto the Hellenistic period: Chapter 5,
'The Hellenistic Period I: Turning Inwards' (pp. 148-70) and Chapter 6, 'The
Hellenistic Period II: The Feminine Mystique' (pp. 171-91). Here she traces the
change from concern for the state to concern for the individual, as well as the
gradual disappearance of pederasty as a social institution and the resulting
increase in interest in female erotica. The evidence of medicine and philosophy
shows a new concern for the health and happiness of the individual, and
Hellenistic poetry shows a new interest in subjective, individual experiences,
including those of women, rather than in moralistic tales.
Skinner's last four
chapters are devoted to Roman culture, a subject on which she is already
published.[[1]] Here she takes into account the way different political systems
would have affected sexuality. In her analysis she distinguishes between
Republican and Augustan Rome on the one hand, and the Imperial period on the
other. However, work on Augustan marriage and adultery legislation suggests
that another useful break could have been made between the Republican and
Augustan periods.
Chapter 7,
'Republican and Augustan Rome I: Noble Romans and Degenerate Greeks' (pp.
192-211), and Chapter 8, 'Republican and Augustan Rome II: The Soft Embrace of
Venus' (pp. 212-39), cover the periods of the Roman Republic and early Empire
under Augustus. For her sections on the Roman period her evidence is more
eclectic. She uses comedy, satire, love poetry, epic, rhetoric, and history. In
the Rome of the Republic and Augustus, Skinner shows that a system of sexual
dominance existed within society, intimately intertwined with the social hierarchy.
Each person had a status within Roman society that conferred greater or less
power and an integral part of that power was sexual. Another aspect of this
hierarchy of dominance was aggression against inferiors. In a society in which
sexuality was a public power factor and violence was commonplace, the two were
often combined as a form of entertainment. However, this system of dominance
had a negative side, even for the elite. In Chapter 8, Skinner examines the
corresponding constant pressure on men to be thought tough, manly and dominant,
as exemplified by their sexual behaviour. Fear of being thought soft or
sexually passive, which could ruin a man's reputation for life, led Roman
authors to use sexual congress as a metaphor for fears about these hierarchical
tensions.
In Chapter 9,
'Imperial Rome I: Desire Under Pressure' (pp. 240-54), and Chapter 10,
'Imperial Rome II: On the Margins of Empire' (pp. 255-82), Skinner examines the
Empire of the first and second centuries AD, ending just before the advent of
Constantine and Imperial Christianity, which she acknowledges as a turning
point in discussions on ancient sexuality. In Chapter 9, she shows, using
philosophy, history, and satire, that the change in political structure from
the power of the senators to the complete authority of the emperor made Roman
men feel anxiety over the precariousness of their position and led to
literature reflecting this anxiety through the medium of offensive and fearsome
sexual imagery. In Chapter 10 she exhibits the new emphasis on family and the
reproductive power of women evident in the images on monuments and statuary.
She also moves briefly outside the boundaries of Rome to show the anxiety of
those in the provinces of the empire as exemplified in ancient novels.[[3]]
Skinner has a
tendency to use American idioms and examples which are not universal, and so
add little to the text. I also feel that there is an overemphasis on homoerotic
relations. The importance of her project is outlined in her introduction by a
discussion of contemporary court trials on gay issues which have looked to
ancient notions of sexuality to prove their points, an aspect brought up again
in her afterword. Although she is using homoerotic sexuality as a constant to
draw her argument together, I feel she becomes sidetracked by the proliferation
of evidence for homosexual relations in early Greek literature and archaeology,
and so fails to give the same attention to the other constants she is tracking,
such as marriage and prostitution. She traces homoerotic relations throughout
the periods she is studying in detail, even when she admits that the society
itself marginalized such relations (pp. 171-75, 197). Far more space is devoted
to both male and female homoerotic relations in the period of the height of the
heterosexual ideal than to female heterosexuality in the period when the
pederastic ideal was at its height.
On the other hand,
this analysis of female homoerotic relations is one of the most comprehensive
attempts to discover female sexuality in antiquity that has yet been published.
In addition, this book is not only an overview of sexuality but also an
introduction to all forms of interpersonal relations, as Skinner uses the
social and political structures of the time to account for differing notions of
sexuality across time periods. Nevertheless, the scope and content of this book
make it obvious that it is not meant to be an in-depth analysis of ancient
sexuality, but is instead an overview and general introduction to the subject,
meant as much for the novice reader on ancient sexuality as for those entering
into analyses of their own. Skinner herself admits that this is not a radically
new approach to ancient sexuality but states that instead she is compiling, and
engaging with, the conclusions of other authors (p. xiii). It is obvious from
the range of sources she uses that Skinner has fulfilled her own mandate in
this regard. As a general introduction to the topic this work is highly
successful in that it gives a thorough overview of current literature while
encouraging further reading and discussion.[[4]] Unlike Foucault,[[5]] who
centred his studies on philosophical texts and male sexuality, Skinner makes
use of far more wide-ranging evidence and draws conclusions about women.
Furthermore, this book gives the topic of ancient sexuality the coverage and
depth of analysis that Foucault did not. However, it is in no way a criticism
of or addition to his work. Instead, it is a parallel work meant to give a
Classicist's view of the history of sexuality and as such is a much more useful
and appropriate to the field of Classics. On the whole this is a most
successful addition to the work on ancient sexuality and comes at a time when
sexuality is becoming such a popular research topic.
NOTES
[[1]] M. Foucault, The
History of Sexuality. Vol. 2: The Use of Pleasure trans. R. Hurley, (London
1985); M. Foucault, The History of Sexuality Vol. 3: The Care of the Self
trans. R. Hurley (London 1986); J. J. Winkler, The Constraints of Desire
(London and New York 1990); D. M. Halperin, J. J. Winkler and F. I. Zeitlin,
(edd.) Before Sexuality: The Construction of Erotic Experience in the
Ancient Greek World (Princeton and Oxford 1990); A. Richlin, The Garden
of Priapus: Sexuality and Aggression in Roman Humour (New Haven and London
1983); J. P. Hallett and M. B. Skinner(edd.) Roman Sexualities
(Princeton 1997).
[[2]] K. J. Dover, Greek
Homosexuality (London 1978).
[[3]] Skinner's
analysis of the ancient novels is very rudimentary. This area is covered in detail
by D. Konstan, Sexual Symmetry: Love in the Ancient Novel and Related Genres
(Princeton 1994); S. Goldhill, Foucault's Virginity: Ancient Erotic fiction
and the History of Sexuality (Cambridge 1995); K. Haynes, Fashioning the
Feminine in the Greek Novel (London and New York 2003).
[[4]] Further
reading which complements Skinner is a recent eclectic collection of ancient
sources on sexuality by M. Johnson and T. Ryan, Sexuality in Greek and Roman
Society and Literature: A Sourcebook (London and New York 2005).
[[5]] These
criticisms of Foucault are made by many authors including, A. Richlin, The
Garden of Priapus: Sexuality and Aggression in Roman Humour Revised edition
(New York and Oxford 1992) xiv-xvi and Goldhill [3] xii, 100, 110.