Christopher Smith and Anton Powell (edd.), The Lost Memoirs of Augustus and the Development of Roman Autobiography. Swansea: The Classical Press of Wales, 2009. Pp. xii + 227. ISBN 978-1-90512-25-8. UK£50.00.
D. Wardle
University of Cape Town, South Africa
If Herculaneum were ever to give up a lost work of Roman history, high on the wish list of many historians of the early principate would be the thirteen books of De vita sua written by the emperor Augustus, documenting his life down to the end of his Cantabrian campaign of 25 BC. Of this sizeable work of autobiography only a meagre handful of fragments survive. How far is it worthwhile to extrapolate from these exiguous remains to speculate on the content and nature of the whole? This admirable volume demonstrates well the opportunities afforded by such extrapolation, as well as the uncertainties and problems encountered in the effort.
Christopher Smith, 'The Memoirs of Augustus: Testimonia and Fragments' (pp. 1-13) presents a foretaste of the long- awaited collaboration Fragments of the Roman Historians edited by T. Cornell et al. He presents his enumeration of the testimonia and fragments (all with English translation), five of the former and nineteen of the latter, subdivided into definite, possible, and doubtful. Even this division is problematic: the editor must determine not just the extent of the individual quotation, often embedded subtly in a text, but also express a view on whether the fragment is a direct (verbatim) quotation or an adaptation of the author's words. We must wait for Smith's own commentary and explanation of his choices, but the contributions of Pelling and Toher suggest that there are contentious issues to be faced.
In 'Cato and the Origins of Roman Autobiography' (pp. 15-40), Tim Cornell seeks the origins of imperial autobiography in Cato's Origines and examines how we come to possess the relatively large quantity of biographical detail about Cato that we do. While Cato's speeches did unquestionably contain such material the last books of his Origines also had a clear personal element, setting forth the author's actions and virtues, putting his perspective to the fore on the events in which he had played a part.
Chris Pelling, 'Was there an Ancient Genre of "Autobiography"? Or, Did Augustus Know What he was Doing?' (pp. 41-64), focuses on the key question of whether there was anything akin to a genre of autobiography for Augustus to follow, answering in the negative, as is required by our sheer lack of knowledge about how Aemilius Scaurus or Rutilius Rufus wrote. In considering whether (and how) the (pretend-)commentarii of Sulla and Caesar were models Augustus followed, Pelling rightly emphasises Augustus' choice of a first-person narrative (F 1a Smith) which marks a clear distinction from Caesar.
Most of the chapter has Pelling on home ground, giving an excellently nuanced discussion of how and why Plutarch quotes Augustus and considers with appropriate caution how Pollio, Plutarch's plausible source, himself used Augustus' De vita sua. Pelling rightly isolates (p. 54) that F7b Smith best reproduces what Augustus wrote about his controversial performance during the first battle of Philippi: he was not gamely in the front line but prudently withdrew before the battle, forewarned by Artorius' dream. Pelling speculates that Augustus' work as a whole may have been less tendentious and partisan than has often been surmised, as its author was happy to present his former incarnation 'the young Caesar' in an often less-than-glowing light, so different from the new Augustus.
Christopher Smith, 'Sulla's Memoirs' (pp. 65-85), examines the structure and content of the twenty-two books of autobiography left by Sulla, monumental in scale and replete with the paraphernalia of divination, to demonstrate that the author's success was divinely secured. Smith's conclusion, 'Of all the models before him, perhaps appropriately, Augustus did not flinch from choosing that of Sulla' (p. 79), goes beyond what we can reasonably extrapolate about both works.[[1]]
In 'Felicitas and the Memoirs of Sulla' (pp. 87-109), Alexander Thein starts from the premise that Augustus' use of the supernatural is a substantial point of contact with Sulla's memoirs. Sulla famously made much of his felicitas and acquired the cognomen Felix; Augustus too became synonymous with the quality (Eutrop. 8.5.3), but the official, contemporary vocabulary of praise did not mention it. Thein follows Erkell in suggesting that De vita sua was deliberately silent too (but cf. Wiseman on p. 112 of this volume). Thein hypothesises similarities between the respective memoirs in that the autobiography proper began only in Book II, that the climax of each was military triumph, Sulla's over Mithradates and Augustus' over the Cantabrians, and that both made much of supernatural indications of their future greatness, although the place in their respective lives where this material was prominent probably differed, as the overall patterns of their respective lives were dissimilar.
The supernatural theme is carried on by Peter Wiseman, 'Augustus, Sulla and the Supernatural' (pp. 111-23): 'Augustus . . . structured his life story in terms of divine support' (p. 111), accepting the parallel with Sulla and noting a sharp contrast with Caesar, whose commentarii omit such material.[[2]] Wiseman discusses the dreams of Augustus attributed to Cicero by Tertullian, Suetonius, and Plutarch, suggesting an appropriate context in De vita sua and the subtle slant given by Augustus.[[3]] A sage comparison is that Augustus refers only to the dreams of others, not to his own, as Sulla did. Indeed the one exception to this, his dream about the temple of Jupiter Tonans, Wiseman surmises, was the concluding act of the work, highlighting a contrast between Sulla who was unable to dedicate his temple to Jupiter Optimus Maximus and the pious Augustus.
Mark Toher threatens to be the party
pooper in 'Divining a Lost Text:
Augustus' Autobiography and the
John Rich contributes a chapter on
Augustus' Cantabrian campaign,
'Cantabrian Closure: Augustus' Spanish
War and the Ending of his Memoirs' (pp.
145-72), and his choice of this as the
conclusion of De vita sua. Rich
demonstrates that Augustus did
participate personally in several
successes in 26 and that his campaigns
contributed significantly to the
pacification of Spain, which was the
publicly proclaimed justification for the
powers he had been given in 27. As to why
Augustus ended his work with the
Cantabrian War, Rich finds his answer in
the nature of Roman autobiographies which
placed major emphasis on campaigns waged
by the author -- as the Cantabrian War
was Augustus' last foray as commander it
was the appropriate stopping point. Rich
also speculates that the work was written
in stages, perhaps the Illyrian War of
35-33 was the original end and the
Cantabrian War something of an
afterthought. An interesting idea, but in
the end beyond proof.
In 'Augustus' Age of Apology: An Analysis
of the Memoirs -- and an Argument for two
further Fragments' (pp. 173-94), Anton
Powell argues that De vita sua was
to a large degree apologia, in the
form of self-exculpation for the many
questionable actions he performed.[[5]]
Powell's analysis of individual fragments
can be speculative, but in general he
provides a plausible framework. Augustus
did not shy from defending his role in
the worst of atrocities, namely the
proscriptions,[[6]] and in the most
humiliating of campaigns, Powell makes a
case for two further fragments not
included by Smith: first the claim (App.
BCiv. 5.112) that a god led him to
safety after a defeat at Tauromenium and
secondly the details of a narrow escape
after defeat at Scyllaeum (App.
BCiv. 5.84-7). The latter in
particular involves the subjective
selection of elements from a detailed
narrative that Powell thinks appropriate
to Augustus's personal account, but the
case that Augustus lingered on episodes
that were particularly problematic
deserves consideration. How exactly to
bound the 'fragment' is the rub.
Kathryn Welch provides the final
instalment, 'Alternative Memoirs: Tales
from the "Other Side" of the Civil War'
(pp. 195-223), looking at former
opponents of Augustus who survived and
prospered to write their own accounts of
contemporary history, in particular M.
Valerius Messalla Corvinus, whom she sees
as a source used by Appian in his
description of the Sicilian War.
Overall this collection affords the
reader a rich array of studies centred
around an essentially unrecoverable text.
The differences of approach and opinion
over key aspects, while making this
reader long for more overt interaction
between the contributors, demonstrate the
difficulties of the endeavour -- one well
worth undertaking.
NOTES
[[1]] It is noticeable that Smith's
article does not respond to the points
made by Pelling which undermine aspects
of his argument. By contrast Thein, for
example, refers frequently to other
contributions. It would have helped tie
together the individual contributions
better had all perticipants followed
Thein’s practice.
[[2]] Wiseman's case in relation to
Caesar could be strengthened if the one
appearance of portents etc. in Bellum
Civile is in fact an interpolation as
is argued cogently by G. Reggi, 'Cesare,
De Bello Civili, III 105, 3-6', PP
57 (2002) 216-26.
[[3]] A personal peeve is that the
bibliography omits any reference to my
discussion of the Suetonius version
('Unimpeachable Sponsors of Imperial
Autocracy, or Augustus' Dream-team'’,
Antichthon 39 (2005) 29-47.
[[4]] For example, 'The Date of Nicolaus
of Damascus' Bios Kaisaros',
GRBS 26 (1985) 199-206; 'On the
use of Nicolaus' Historical fragments',
CA 8 (1989) 159-72.
[[5]] It is probably an editor's
privilege that he allows himself
different referencing conventions to the
other papers in the collection
[[6]] Welch (p. 197) suggests that
Augustus said as little as possible about
the proscriptions.